![[frontispiece]](/images/authors/colour-portraits/banner-frontispiece.jpg)
![[section of text]](/images/screenshots/ECPA-snippet5.jpg)
![[poet writing]](/images/authors/colour-portraits/banner-poet.jpg)
[Page 37]
SONNET [17] XVII. From the thirteenth Cantata of Metastasio.
1 ON thy gray bark, in witness of my flame,[*]
[*]
LINE 1.
Scrivo in te l'amato nome
Di colei, per cui, mi moro.
This is not meant as a translation; the original is much longer, and full of images, which could not be introduced in a Sonnet. — And some of them, though very beautiful in the Italian, would not appear to advantage in an English dress.
2 I carve Miranda's cypher — beauteous tree!
3 Grac'd with the lovely letters of her name,
4 Henceforth be sacred to my love and me!
5 Tho' the tall elm, the oak and darker pine,
6 With broader arms, may noon's fierce ardors break,
7 To shelter me, and her I love, be thine;
8 And thine to see her smile and hear her speak.
9 No bird, ill omen'd, round thy graceful head
10 Shall clamour harsh, or wave his heavy wing,
11 But fern and flow'rs arise beneath thy shade,
12 Where the wild bees, their lullabies shall sing,
13 And in thy boughs the murmuring ringdove rest;
14 And there the nightingale shall build her nest.
About this text
Author: Charlotte Smith (née Turner)
Themes:
Genres:
sonnet
Text view / Document view
Source edition
Smith, Charlotte Turner, 1749-1806. Elegiac sonnets, and other poems. By Charlotte Smith. The first Worcester edition, from the sixth London edition, with additions. Printed at Worcester [Mass.]: by Isaiah Thomas, sold by him in Worcester, and by said Thomas and Andrews in Boston, 1795, p. 37. xix,[2],22-126,[2]p.,[5] leaves of plates: ill.; 15 cm. (12mo) (OTA N22357)
Editorial principles
The text has been typographically modernized, but without any silent modernization of spelling, capitalization, or punctuation. The source of the text is given and all editorial interventions have been recorded in textual notes. Based on the electronic text originally produced by the TCP project, this ECPA text has been edited to conform to the recommendations found in Level 5 of the Best Practices for TEI in Libraries version 4.0.0.
Other works by Charlotte Smith (née Turner)
- Elegy. ()
- [THE EMIGRANTS.] ()
- Ode to Despair. From the Novel of Emmeline. ()
- Origin of Flattery. ()
- Peasant of the Alps. From the Novel of Celestina. ()
- Song. ()
- Song. From the French of Cardinal Bernis. ()
- SONNET [01] I. ()
- SONNET [02] II. Written at the Close of Spring. ()
- SONNET [03] III. To a Nightingale. ()
- SONNET [04] IV. To the Moon. ()
- SONNET [05] V. To the South Downs. ()
- SONNET [06] VI. To Hope. ()
- SONNET [07] VII. On the Departure of the Nightingale. ()
- SONNET [08] VIII. To Spring. ()
- SONNET [09] IX. ()
- SONNET [10] X. To Mrs. G***. ()
- SONNET [11] XI. To Sleep. ()
- SONNET [12] XII. Written on the Sea Shore. — October, 1784. ()
- SONNET [13] XIII. From Petrarch. ()
- SONNET [14] XIV. From Petrarch. ()
- SONNET [15] XV. From Petrarch. ()
- SONNET [16] XVI. From Petrarch. ()
- SONNET [18] XVIII. To the Earl of Egremont. ()
- SONNET [19] XIX. To Mr. Hayley. On receiving some elegant Lines from him. ()
- SONNET [20] XX. To the Cotentess of A****. Written on the Anniversary of her Marriage. ()
- SONNET [21] XXI. Supposed to be written by Werter. ()
- SONNET [22] XXII. By the same. To Solitude. ()
- SONNET [23] XXIII. By the same. To the North Star. ()
- SONNET [24] XXIV. By the same. ()
- SONNET [25] XXV. By the same. Just before his Death. ()
- SONNET [26] XXVI. To the River Arun. ()
- SONNET [27] XXVII. ()
- SONNET [28] XXVIII. To Friendship. ()
- SONNET [29] XXIX. To Miss C****. On being desired to attempt writing a Comedy. ()
- SONNET [30] XXX. To the River Arun. ()
- SONNET [31] XXXI. Written on Farm Wood, South Downs, May, 1784. ()
- SONNET [32] XXXII. To Melancholy. Written on the Banks of the Arun, October, 1785. ()
- SONNET [33] XXXIII. To the Naiad of the Arun. ()
- SONNET [34] XXXIV. To a Friend. ()
- SONNET [35] XXXV. To Fortitude. ()
- SONNET [36] XXXVI. ()
- SONNET [37] XXXVII. Sent to the Hon. Mrs. O'Niell, with painted Flowers. ()
- SONNET [38] XXXVIII. From the Novel of Emmeline. ()
- SONNET [39] XXXIX. To Night. From the same. ()
- SONNET [40] XL. From the same. ()
- SONNET [41] XLI. To Tranquillity. ()
- SONNET [42] XLII. Composed during a Walk on the Downs, Nov. 1787. ()
- SONNET [43] XLIII. ()
- SONNET [44] XLIV. Written in the Church Yard at Middleton in Sussex. ()
- SONNET [45] XLV. On leaving a part of Sussex. ()
- SONNET [46] XLVI. Written at Penshurst, in Autumn, 1788. ()
- SONNET [47] XLVII. To Fancy. ()
- SONNET [48] XLVIII. To Mrs. ****. ()
- SONNET [49] XLIX. Supposed to have been written in a Church Yard, over the Grave of a Young Woman of nineteen. From the Novel of Celestina. ()
- SONNET [50] L. From the Novel of Celestina. ()
- SONNET [51] LI. Supposed to have been written in the Hebrides. From the Novel of Celestina. ()
- SONNET [52] LII. The Pilgrim. From the Novel of Celestina. ()
- SONNET [53] LIII. The Laplander. From the Novel of Celestina. ()
- SONNET [54] LIV. The sleeping Woodman. Written in April, 1790. ()
- SONNET [55] LV. The Return of the Nightingale. Written in May, 1791. ()
- SONNET [56] LVI. The Captive escaped in the Wilds of America. Addressed to the Honourable Mrs. O'Neill. ()
- SONNET [57] LVII. To Dependence. ()
- SONNET [58] LVIII. The Glow Worm. ()
- SONNET [59] LIX. Written during a Thunder Storm, September, 1791; in which the Moon was perfectly clear, while the Tempest gathered in various directions near the Earth. ()
- Thirty Eight. Addressed to Mrs. H—y. ()
- Verses. Intended to have been prefixed to the Novel of Emmeline, but these suppressed. ()